By David Weissman
Philosophic realization shifted after Hegel from Kant s emphasis on sensibility to feedback and analyses of the positive arts. the humanities themselves appeared as abundant as nature; a disciplined technology may possibly commit as a lot power to at least one because the different. yet then the humanities started to splinter due to new applied sciences: images displaced figurative portray; listening to recorded track diminished the curiosity in studying to play it. The company interiority that Hegel assumed was once undermined by means of the rate, mechanization, and distractions of recent lifestyles. We inherit difficulties: repair caliber and conviction within the arts; domesticate the interiority the sensibility that may be a for judgment in each area. what's sensibility s position in studies of each kind, yet particularly these provoked while artwork is made and enjoyed?"
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Additional info for Sensibility and the Sublime
Event, thirteen, and passim. expression, 1, five, nine, 10, 19, 23, 24, 26, 29, 39, forty five, forty six, fifty four, sixty one, sixty four, sixty six, sixty seven, sixty eight, eighty three, eighty five, 86, 88, 89, ninety three, ninety four, ninety five, ninety nine, 102, 103, 107. 114 exterior, thirteen, 33, 37, forty-one, forty eight, fifty seven, sixty seven, eighty three, ninety one, ninety eight. myth, ninety seven, ninety nine. suggestions, ninety two. emotions, 1, 7, eight, eleven, 21, 24, 25, 26, 27, 28, 29, 32, 33, 34, 35, 36, 37, 38, 39, forty, forty-one, forty four, forty five, forty seven, forty eight, 50, fifty seven, fifty nine, 60, sixty one, sixty five, sixty seven, 70, seventy one, seventy two, seventy six, seventy seven, eighty one, eighty five, 86, ninety one, ninety two, ninety four, ninety six, ninety seven, 102, 103, 104, one zero five, 106. clear out, 2, 18. finesse, 1. Flatland, sixty six. Flores, Juan Diego, 103. shape, 1, 2, eleven, 20, 24, 25, 26, 27, 28, 31, 34, 35, 38, forty, forty six, 50, fifty one, fifty three, fifty five, fifty seven, fifty nine, 60, sixty four, sixty five, sixty six, sixty seven, sixty eight, sixty nine, 70, seventy one, seventy two, seventy three, seventy six, seventy seven, seventy nine, eighty one, eighty two, eighty three, eighty five, 86, 88, 89, ninety, ninety seven, one hundred and one, 104. Foucault, Michel, nine. freedom, four, 10, 30, 31, 38, 39, forty, eighty three, ninety seven, ninety eight, one zero one. Freud, Lucian, 27. Freud, Sigmund, 25. functionality, 7, 10, 18, 22, sixty two, seventy eight, eighty two, ninety one, ninety eight. Gasquet, Joachim, sixty eight. genes, nine. style, 7, forty five, 88. geometry, 27, sixty nine, eighty five, 108. gestalt, 23, 35, 86, 87, 88. Gombrich, Ernst, nine. Gris, Juan, 87. Grofe, Ferde, 86. Grosz, George, 27. Grove, nine. Guernica, 28. concord, nine, fifty one, sixty nine, seventy two, seventy nine, eighty four, 86. Haydn, Joseph, 18, eighty four. Hegel, G. W. F. , 10, 24, fifty two, sixty three, ninety one, ninety two, 103, 104. Heidegger, Martin, 104, a hundred and five, 108. Hirst, Damien, 1. historical past, 1, nine, 10, 37, forty eight, fifty two, fifty three, fifty five, fifty six, fifty eight, sixty four, sixty five, one zero one, one zero five. one hundred fifteen humane, 109. Hume, David, 10, 19, 36, forty-one, forty six, fifty two, ninety six. Husserl, Edmund, 36, ninety three. Hutcheson, Francis, 10. id, 10, forty nine, a hundred and five. idiosyncrasy, forty nine, fifty two, seventy five . illumination, 60, seventy five, seventy nine, a hundred and five. mind's eye, four, five, 10, 14, sixteen, 20, 21, 22, 23, 27, 38, 39, forty-one, forty five, sixty one, sixty three, sixty four, sixty five, sixty six, ninety six, ninety nine, a hundred, one hundred and one, 108. immorality, 106 induction, 15. info, 7, 14, 15, 18, 25, 26, 29, 31, 32, 34, 37, 39, forty, fifty two, fifty five, fifty six, sixty five, 70, 87, ninety one, ninety two, 102. internal, nine, 36, 37, 38, forty, forty four, forty eight, fifty six, fifty seven, seventy six, ninety six, ninety seven. inputs, 1, 2, 30, ninety three. within, nine, 10, 26, forty nine, 60, ninety one, one zero one. perception, 1, sixteen, 23, fifty two, one zero one. depth, 17, 25, 28, 29, 37, fifty nine, 87, ninety nine, a hundred, 103, 104, 107. purpose, four, 17, 21, 22, 23, 35, 36, forty five, fifty three, fifty four, 70, seventy four, eighty two, ninety nine. interiority, eight, nine, 10, eleven, thirteen, 30, 31, ninety one, ninety two, ninety three, ninety four, ninety five, ninety seven, a hundred and one, 102, 108. inner, 1, thirteen, sixteen, 33, forty eight, sixty seven, eighty three, ninety two, ninety five, 108. interpretation, nine, 17, 18, 38, forty two, fifty eight, eighty four, ninety nine, one hundred and five. instinct, 10, 24, forty six, fifty two, 60, sixty three, eighty one, ninety two. isolation, 24, 31, ninety eight. judgment, 6, eight, 10, 22, 24, 25, 26, 30, 31, 32, 34, forty, forty six, 50, fifty two, fifty four, fifty five, sixty six, seventy one, seventy two, seventy four, seventy eight, seventy nine, eighty, eighty one, eighty four, eighty five, 86, 87, ninety six, ninety seven, ninety nine, a hundred and one, 102, one zero five, 106, 107. Kandinsky, Wassily, 27, sixty nine, 70. Kant, Immanuel, 10, 14, sixteen, 17, 20, 23, 24, 25, 26, 27, 31, 34, 35, forty two, forty six, fifty two, fifty five, 60, sixty four, sixty five, seventy three, seventy four, eighty one, eighty two, ninety, ninety seven, one hundred and five, 106, 107. Kiefer, Anselm, a hundred. King Lear, fifty eight. Klee, Paul, 29. Kollwitz, Kathe, 27. Langer, Susanne, eleven, fifty six. 116 Laugier, Marc-Antoine, 19. prime ideas, three. Leibniz, G. W. V. , 33, ninety four. Ligeti, Gyorgy, 29. Locke, John, five, 50, fifty two. Malevich, Kazimir, eighty four. Margolis, Joseph, fifty three, fifty four. Marriage of Figaro, 108. Medea, seventy one. membrane, eleven, 102. reminiscence, 25, 27, 32, 33, forty five, sixty four, ninety one. Mendelssohn, Felix, seventy nine. metaphor, ninety one, 102, 104. Michelangelo, 1. Mill, John Stuart, seventy eight, eighty, 87. Miró, Juan, 1. Mondrian, Piet, eighty four. temper, 35, 37, forty four, fifty seven, seventy two.